It’s an intriguing approach, overturning almost everything one expects from an opera, the elaborate staging and breathtaking costumes of a great production. The production realizes Mozart’s whimsical tale of a young prince in search of his undecorated princess, instead projecting the details of the scene onto a blank screen, non-stop animation depicting the various forests, caves and palaces where the story unfolds. The result of a collaboration between director Barrie Kolsky and a performance group known as 1927, this version is more akin to a movie, even though the actors sing the famous tunes without amplification. Despite this, Lyric Opera’s current cut of a production that premiered nearly a decade ago is one of the most unique interpretations of opera, perhaps of any musical production, seen on recent memory scene. Over the next two hundred years, the show has undoubtedly been produced in many ways, from the magical and lush to the understated and contemporary. Magic Flute, a German opera by Mozart, first performed in Vienna in 1791 Mozart himself conducted the orchestra that evening.
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